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Jesus “Aguaje” Ramos and his Buena Vista Orchestra at Bogart's

Jesus “Aguaje” Ramos and his Buena Vista Orchestra are coming to Cincinnati on October 29th at Bogart's as a part of their inaugural U.S. tour!

Led by Jesus “Aguaje” Ramos, original band leader, arranger, and trombonist of The Buena Vista Social Club (BVSC), the Orchestra will embark on a 45-date late summer and fall tour bringing their electric live show to cities from coast to coast. Ramos will be joined by an all-star ensemble including original BVSC members "Betun" Luis Mariano Valiente Marin (Congas, Bongo), Emilio Senon Morales Ruiz (Piano), and Fabían Garcia (Bass). Rounding out the lineup is Lorena Lazara Ramos Diaz (trombone, vocals), Aldo Isidro Miranda Alvarez (vocals), Geidi Chapman (vocals, guitar), Antonio Remigio Rubio Borayo (timbal, percussion), Rogelio Ricardo Oliva Orelly (emcee, vocals). Continuing the legacy of this legendary and cultural movement, the group aims to keep the arts, music, and culture of Cuba alive with a colorful show featuring a repertoire pulled from the greatest hits, many of which were composed by Ramos, and deep-dive cuts.


 In addition to his work with the Buena Vista Social Club, Jesus “Aguaje” Ramoshas served long stints in the world-class ensembles Estrellas de Arieto and Afro-Cuban Allstars. His past musical journey and history is brought into focus throughout the critically acclaimed 1999 documentary Buena Vista Social Club. Ramos performed on the beloved recordings of the Buena Vista Social Club and Afro-Cuban Allstars as well as the solo albums of fellow ensemble members Ibrahim Ferrer, Ruben Gonzales and Omara Portuondo. The 73-year-old Cuban artist has been touring extensively since 1997 with many Afro-Cuban projects, including the renowned “Adios” Tour, where he was a prominent member and musical director of the production that brought Cuban cultural music back into international prominence. Ramos and his Buena Vista Orchestra began touring and playing shows in the mid-2010’s, becoming a darling of critics and audiences throughout North America, Europe, and Central and South America.

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